Showing posts with label Articles. Show all posts
Showing posts with label Articles. Show all posts

Tuesday, 2 June 2026

“From Raaja with Love” – A Breeze Through Chennai’s Scorching Heat


As a long-time admirer of his music, attending one of his live concerts had been on my bucket list since my college days. After years of waiting, I finally got the opportunity to witness Isaignani Ilaiyaraaja’s concert,
“From Raaja With Love”, held in Chennai on 31st May 2026.

For someone who has grown up listening to his timeless compositions, this was more than just a concert—it was an opportunity to experience those melodies come alive on stage, performed by the Maestro himself.

Even before the concert began, while the final stage preparations for the grand event were still underway, the singers could be seen rehearsing their songs to perfection. Instruments were being tuned and sound-checked, and every now and then, the audience was treated to fleeting glimpses of the timeless masterpieces composed by the Maestro. Those brief moments were enough to heighten the anticipation for what promised to be a memorable evening.

The concert was hosted in an outdoor stadium, and as the evening progressed, the seats gradually began to fill up. At first glance, it appeared as though a significant number of tickets had remained unsold, despite online ticketing platforms displaying a “Sold Out” status weeks before the event. However, around 6:30 PM—the official start time of the event—the stadium transformed into a sea of eager music lovers, with scarcely an empty seat in sight.

Then came the moment everyone had been waiting for.

Amid thunderous cheers and a relentless chorus of whistles from the crowd, the Maestro made his entrance. Dressed in a pristine white kurta and traditional veshti, he appeared in the simple yet iconic style that has become synonymous with him over the decades. The roar that greeted him was unlike the frenzy often associated with celebrity appearances. Instead, it reflected something deeper—a collective expression of admiration, gratitude, and reverence from generations of fans whose lives had been touched by his music.


Without any instrumental prelude, the evening began with the Maestro’s voice gently resonating through the stadium. As the opening lyrics echoed across the venue, a sustained tanpura-like drone emerged in the background, creating an atmosphere of serenity and devotion. One by one, the accompanying instruments joined in, enriching the soundscape and building the anticipation. Thus began the concert in the most fitting way possible—with the timeless invocation, “Janani… Janani…”, a song that has become an enduring signature of Ilaiyaraaja’s live performances.

From that moment on, the music flowed seamlessly from one classic to another. The swaggering “Raja… Rajathi Rajanin Intha Raja”, the poignant “Annakili Unnai Theduthe”—the song from his debut film that beautifully captures the ache of longing—and the unbridled, explosive energy of “Madai Thiranthu” kept the audience enthralled.


Then came the banger. With its fast-paced violin rhythm instantly recognized by the audience, the celebratory and exuberant
“Rakkama Kaiya Thattu” had the crowd snapping their fingers and tapping their feet throughout the song. The audacious placement of “Kunitha Puruvamum” from the Thevaram in an otherwise spirited composition felt fresh even today, after 36 long years—a testament to the Maestro’s creativity and easily my favourite pick from the concert.

The trailer launches that took place midway through the concert slightly disrupted its flow and extended the overall duration of the event. There was also some disappointment among the audience as a few songs were cut short, most notably the recent sensation “Vazhi Neduga”.

The majestic and timeless “Raja Raja Chozhan Naan”, the haunting “Oru Jeevan”, and the rustic, soulful “Shenbagame” were among the other standout performances of the evening. The concert concluded on a high note with “En Jodi”, one of the few songs that had the audience up on their feet, singing and dancing along till the very end.

What truly stood out was the sheer effort involved in bringing these compositions to life on stage. Unlike many contemporary concerts that rely heavily on programmed music, this performance showcased live orchestration at its finest. At 82 years of age, Ilaiyaraaja remained on his feet for almost the entire concert, meticulously guiding the orchestra, cueing musicians, and even correcting mistakes when needed—a remarkable display of dedication to his craft.

What began with a 20-kilometre journey and nearly three hours of waiting eventually turned into an unforgettable evening—one filled with nostalgia, timeless melodies, and the magic that only Ilaiyaraaja’s music can create.

Thank you for the music, the memories, and the countless emotions woven into your compositions over the decades.

Happy Birthday, Isaignani!


Monday, 16 September 2024

Periyar 146 - 2024 Birth Anniversary

Any form of injustice - Be it caste based oppression, unjust political dominance, religious fanaticism, linguistic imperialism, gender inequality, economic disparities, irrational beliefs - history will resonate with one name as the opposing force.

The name is “Periyar” 

The uncompromising nonconformist whose ideologies shattered the unjust practices that plagued the society in the name of purity.

சாதிய ஒடுக்குமுறை, அரசியல் ஆதிக்கம், மதவெறி, மொழி திணிப்பு, பாலின சமத்துவமின்மை, பொருளாதார ஏற்றத்தாழ்வு, மூடநம்பிக்கைகள் - எந்தவித அநீதி நடப்பினும், வரலாறு ஒரு பெயரை அதை எதிர்க்கும் விசையாய் உச்சரிக்கும்.

"பெரியார்"

புனிதம் எனும் பிம்பத்தின் பின்னால் கட்டமைக்கப்பட்ட அனைத்து அநியாயங்களையும் அடித்து நொருக்கிய சமரசமில்லா சண்டைக்காரன்.

HBD Periyar !!!




Friday, 12 July 2024

Na. Muthukumar birth anniversary 2024

Remembering Na.Muthukumar on his birth anniversary. The lyricist who captured the day-to-day moments that are often overlooked, the people who we pass by and nature with unimaginable metaphors on-screen in a language that is simple yet impactful. 

"""எத்தனை கோடி கண்ணீர் மண்மீது விழுந்திருக்கும், அத்தனை கண்ட பின்னும் பூமி இங்கு பூப்பூக்கும்..."""

"""கதை பேசிக்கொண்டே வா காற்றோடு போவோம், உரையாடல் தீர்ந்தால் உன் மௌனங்கள் போதும்..."""

"""பங்க் அடிச்சி திரிஞ்சிக்குவோமே
கடைசியில படிச்சுக்குவோமே
சன் ரைஸ பார்த்ததில்லை
கண்ணின்மணி
எங்களுக்கு ஏர்லி மார்னிங் பத்து மணி
லைட் ஹவுசு உயரத்தையும்
எங்க லவ் லெட்டர் தாண்டும்
பரிச்சையில பதில் எழுத
பாதி பேப்பர்ல நொண்டும்
சுட்டாதான் நெருப்பு
பட்டாதான் பொறுப்பு"""

"""வட்டம் போட்டு நீ வாழ்வதற்கு வாழ்க்கை என்ன கணிதமா? எல்லை தாண்டி நீ ஆடிப்பாடு எதுவும் இல்லை புனிதமா..."""

"""கல்லறை மீது தான் பூத்தப் பூக்கள் என்றுதான் வண்ணத்துப்பூச்சிகள் பார்த்திடுமா?"""

“””கடல் தாண்டும் பறவைக்கெல்லாம் இளைப்பாற மரங்கள் இல்லை, கலங்காமலே கண்டம் தாண்டுமே...

காட்டிலுள்ள மரங்களுக்கெல்லாம் தண்ணீர் ஊற்ற ஆளேயில்லை, தன்னைக் காக்கவே தானாய் வளருமே..."""




Friday, 12 January 2024

Pongal - A celebration that is Rational & Secular

The festivals celebrated in India are countless. Being the land of diversity, the calendar in India is packed with festivals from various religions and cultures. In addition to the ceremonies, the visit to the places of worship, prayers and offerings to Gods in certain cases, festivals are occasions when families get together and spend quality time. It is a time when cousins from different parts of the city get together. It is a time when people from metropolitan cities travel back to their hometown to celebrate the occasion in their traditional way. But, how is Pongal any different from other festivals? Pongal celebrates “labour”. 

The grand festival of Tamil Nadu “Pongal” is a celebration of the harvest which is a result of the relentless efforts of farmers in the fields. This is celebrated as Sankranti outside Tamil Nadu and in other parts of India. The celebration of this festival usually includes worship of the sun, decorating the cattle by painting of the cow’s horns and garlanding the cows and cooking “Pongal” - a dish made out of the freshly harvested rice, jaggery and milk. There are customised versions of this festival that might differ from region to region in Tamil Nadu. But, on the whole, the festival is a celebration of anything and everything that relates to agriculture. A festival that celebrates “labour” and the driving factors for a successful harvest on the harvest day - can a festival be more rational? 

The grand bull taming event “Jallikattu” also coincides with the Pongal festival which is a spectacular sporting event in the southern districts of Tamil Nadu. “Vaadivaasal”, a Tamil novel written by C.S. Chellappa captures intricate details of this sporting event in the background of social structure prevalent in the villages. “Jallikattu” has gained popularity over the years and channels have started live streaming of this event in the recent years with sponsors from popular brands in Tamil Nadu.

Since, the festival relates to labour, naturally it should have been a secular one. But, people being used to the act of practising rituals and conducting ceremonies during festivals might have made Pongal closer to one religion than the other. We have seen instances in Tamil Nadu where Pongal is celebrated by Hindus, Muslims and Christians. There is also an event “Samathuva Pongal” (means Secular Pongal) conducted in the presence of representatives from different religions. Each religion might have its own way of celebrating Pongal, but the majoritarian belief should not distance the solidarity this festival shows towards secularism. If every religion respects the other and its way of celebrating the festival, the festival would be an unanimous display of harmony. If there are individuals or groups who think the other way, their views should also be respected.

“Pongal” will build an inclusive and harmonious environment to celebrate “labour” which keeps this world running! 

Wishing everyone a happy Pongal!

Sunday, 24 December 2023

What happened to Buddha will not happen to Periyar!

There are theories and historical texts that point to the conversion of Buddhist signs and symbols into brahminical signs and symbols. The mythological story that links a white elephant with the birth of Gautama Buddha in later stages was used a symbol of Buddha by Buddhist monks who led a nomadic life to propagate the Buddhist principles and they installed those statues under Bodhi trees and mountain caves. 


Buddhism that does not acknowledge the existence of supreme god or deity focuses on achieving enlightenment instead. The Dravidian people who were used to idol worship started worshipping these symbols installed by Buddhist monks. People were attracted to the Buddhist principles which employ a radical approach in pointing out that they can overcome their sorrows by changes to their lifestyle and actions, instead of branding one’s sufferings as the consequence of one’s deeds in previous births. 

There are arguments that the Buddhist symbol - elephant under the Bodhi tree or on the shores of a riverbank was later used to create Vinayakar, a Hindu god in an attempt to rob its popularity and slowly convert Buddha as a harmless icon to their own ideology.

A week back, there was a picture circulated in social media by right wing extremists which depicted Periyar as a pig carrying urine bag in its hand - a futile attempt to mock him and his ideology. As a personality who was open to criticism and who takes ridicule and mockery head on, this would have been welcomed by him had he been here. The response to the same would have been at his satirical best. 

Who knows, they might continue on this path to convert Periyar into customised versions of the boar avatar “Varaha”. But, what happened to Buddha will never happen to Periyar!

His preachings to the general public were uncompromisingly forthright and were formed on the basis of rationalism, empiricism and at the same time were in simple terms. He stood against brahminical supremacy, caste hierarchies, racial inequality, gender inequality and acknowledged economic disparities in his criticism. So, they can never rob his revolutionary theory of its substance and make it their own. He can never be converted into a harmless icon - he will stand tall as a symbol against any form of oppression.

Even if they manage to achieve it, theirs would be the first group to celebrate an atheist as a godly figure. 


Even after his death, his principles are being received with most savage malice and most furious hatred from the right wing; he continues to stand tall no matter how many stones they pelt at him. Remembering our Periyar on his death anniversary!!

Sunday, 19 November 2023

Vivekh Sir birth anniversary - 19 Nov 2023

ஆண் மீன் இல்லாட்டி பெண் மீன் செத்துரும் சார், பெண் மீன் இல்லாட்டி ஆண் மீன் செத்துரும் சார்...

~ தண்ணீ இல்லேனா ரெண்டு மீனுமே செத்துருமே பா...

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மாஸ்டர்... எனக்கு ஆம்பள புள்ள பிறந்திருக்கு... நீங்க தான் பேர் வைக்கனும்.. "மி" ல முடியுற மாறி தான் பேர் வைக்கனும்னு ஜோசியக்காரன் சொல்லிருக்கான்...

~ கந்தசாமி? ராமசாமி?.... ம்..... 

அதெல்லாம் வேணாம் சார். வேற வைக்கலாமே...

~(Someone calls) Excuse me...

ஆ.... இதான் வேணும்... Excuseme சாப்புட்றான்... Excuseme படிக்கிறான்... சூப்பர்... நான் பெத்த மவனே Excuseme……

~ இதையாடா வைக்கப்போற? "Excuse me" னு ஒரு பேராடா....  Numerology ஓட nuisance தாங்க முடியலயேடா!

The man who questioned superstitious beliefs on-screen with witty dialogues and impeccable timing.



Remembering Vivekh sir on his birth anniversary!

Monday, 30 October 2023

Matthew Perry (1969-2023)

The man who brought life into the character of Chandler Bing from sitcom FRIENDS - A character who hides his childhood trauma and his awkwardness during emotional moments with sarcasm. A character who yearns for love and is hopelessly immature and desperate in his relationships until he finds the love of his life. A character who tries to overcome his inner battles and slowly grows into a responsible family man and an emotionally strong human. 


The character demanded a person who is incredibly funny, capable of coming up with witty dialogues and has an impeccable timing at comedy, a person who is rational and practical at all situations.

Who better than Matthew Perry could have played Chandler? On-screen Chandler is his off-screen persona. Death is inevitable, but Chandler will be remembered for long. 

Monday, 14 August 2023

Independence Day - Political Freedom vs Social Freedom

On the account of 77th year of Indian independence, this article is in remembrance of the freedom fighters of our country and at the same time is a reminder on the need for social freedom even today after 76 years of independence. There have been communal riots and caste-based violence in India over the past few months which made me think that there is still a long way India must travel to overthrow all forms of oppression similar to how our freedom fighters overthrew the British dominance.




There is no doubt the resilient and persistent efforts of our freedom fighters in the struggle against the 89-year British rule in India needs to be celebrated. But, the freedom of the country should mean the freedom of each individual citizen of India. The struggle for political independence finds a place in the history textbooks of schools in India. The struggle for social freedom also has a parallel history which is not reiterated enough. This struggle has been prevalent right from the pre-independence era and is still an unrealized dream. 

The constitution of India declares India as secular and deems all its citizens equal. But, the fundamental right to equality is questioned every single time when a caste-based harrassment or violence comes to limelight. The unjust hierarchical structure of caste system is deep-rooted in Indian societies, in people's beliefs and mindset. The class-based inequalities which is universal combines with the caste-based inequalities in India. The recent riots in Manipur, violence in Haryana and the caste based brutality in Nanguneri in Tamilnadu reflects the pity state of the society we live in. The penetration of this caste pride to the level that it gets carried over to the next generation is the danger our society poses.

Most of the incidents of caste based violence stem out from the unnecessary pride that the upper castes hold and the self-inflicted inferior feeling that the lower castes suffer from due to the inveterate age-old beliefs. 




Dr. Ambedkar, one of the prominent leaders India had and his writings against the social order and the social injustice stay relevant even today. Bhagat Singh, the socialist icon of India and his principles and beliefs against the class inequalities is also need of the hour. Mahatma Gandhi's non-violent struggle against the britishers and preachings on religious unity stand as a testimony to the harmony he dreamt of.

While we celebrate the history of freedom struggle and the leaders who brought about the uprising of people against the British rule, we will also acknowledge the need to carry forward the awareness about fight for social freedom. Let us unite together and be the voice against any form of oppression - be it class-based or caste-based or gender-based. 

Happy Independence day! 

Tuesday, 11 July 2023

Remembering Na. Muthukumar on his birth anniversary

நாம் தினம்தினம் கடந்து போகும் மனிதர்களையும், நம் அருகினில் கவனித்த - கவனிக்க மறந்த தருணங்களையும், நமக்கு நெருக்கமான மொழியில், திரையில் தன் எழுத்தின் மூலம் படரவிட்ட சாமானியனின் பிரதிநிதி - நா. முத்துக்குமார்.  




"காற்றினில் கிழியும் இலைகளுக்கெல்லாம் காற்றிடம் கோபம் கிடையாது"

"கல்லறை மீது பூக்கும் பூக்கள் கூந்தலை போய் தான் சேராது"

“உலகத்தின் ஓரம் நின்று அத்தனையும் பார்த்திருப்போம், நடப்பவை நாடகம் என்று நாமும் சேர்ந்து நடித்திருப்போம். பல முகங்கள் வேண்டும் அதை மாட்டிக்கொள்வோம், பல திருப்பம் தெரியும் அதில் திரும்பிக்கொள்வோம்... கதை முடியும் போக்கில் அதை முடித்துக்கொள்வோம்... மறு பிறவி வேண்டுமா?" 

Thursday, 13 April 2023

Remembering Dr. B.R. Ambedkar on his birth anniversary (Apr 14th)

Until I started reading history of Indian independence outside of the academic history text books, little did I know about a struggle that happened parallel to the struggle for political independence - the struggle for social freedom. The struggle for Indian Independence is taught in schools and is well-known to the students. Similarly, the struggle for social freedom in India has a long history. This struggle against the social structure of caste needs to be reiterated in the history books.

When our freedom fighters were fighting against the British rule in India, there were leaders who led the struggle against the caste discrimination in India. This article is in remembrance of Dr. Ambedkar, the face of social justice in India on his birth anniversary (14th April).



One news or the other surfaces everyday about the discrimination of lower castes by the hierarchically dominant castes in India. The restless and tense situation that engulfs the society in such happenings stems out of the unnecessary pride that the dominant castes hold, the unjust and unfair privileges they get from the caste system and the feeling of inferiority that the oppressed take upon themselves yielding to the age old beliefs and practices. 

The ignorance and preconceived notion around reservation needs to be cleared. The thought of taking pride in one's caste needs to be deemed unjust and how this pride impacts the mental health of fellow human beings from lower castes needs to be pointed out. The tense situation whenever there is a caste feud has its roots in ignorance and the unnecessary pride. 

Social freedom has remained a necessity in Indian societies for long and attaining that can be achieved only with the relentless upholding of Dr. Ambedkar’s principles and writings.



Dr. Ambedkar’s principles and writings teaches us to stand not just against the caste based discrimination but also against any form of discrimination - be it gender based or class based or racial discrimination. Any discrimination across the world should be dealt with uncompromisingly forthright arguments and relentless protests and campaigns.

Even today, we have his statues put behind bars at many places in India. This is the respect the society gives for the man who stood for social justice and the freedom of the oppressed. This arises from the grudge due to the unjust caste hierarchy deep-rooted in our society. 

One can pelt stones at his statues and confine them behind bars. But, there is no confinement for his principles and writings. There might be attempts to rob his revolutionary theory of its substance and convert him into a harmless icon, every attempt at it should be curtailed by propagating his principles and educating the masses about what he stood against.

Let us celebrate Dr. Ambedkar as the leader of the masses. Hereafter, let only the bars around his statues be broken, not his statues.

Thursday, 23 March 2023

Remembering Martyr Bhagat Singh on his death anniversary!

With the dream of attaining independence for India, many sacrificed their lives without witnessing their dream getting realised. But, their principles and propaganda kindled the spark among the masses to carry the fight until the dawn of freedom on Aug 15th 1947 even without their physical presence. March 23rd marks the death anniversary of one such freedom fighter.


An individual who stood by his principles even when facing the gallows at an young age of 23. An avid reader who spent most of his short lived life in the midst of books. A revolutionary who stood against imperialism and made the voice of socialism reverberate across the country. An atheist who believed in rationalism and questioned the fallacy of age old beliefs. A freedom fighter who could have been the socialist icon India needed if not for the unjust trial and death sentence.

A personality who should be studied and celebrated more!

“Bhagat Singh”

To get to know Bhagat Singh, I read “Bhagat Singh - The Eternal Rebel”, a book written by Prof. Malvinder Jit Singh. It is a biography of Bhagat Singh that captures in detail various events of his life - both personal and political. 



Though he has a cult following in India at present, there is often an image of pistol brandishing angry young man portrayed on him. This book reveals the true nature of Bhagat Singh and how he despite being an “extremist” in the freedom struggle, valued human lives and never believed in bloodshed.

His contrasting tranformation into a communist hailing from a family with Arya Samaj connection shows the independent intellect in him. The biography also puts forth Bhagat Singh as a voracious reader and how some of his favourite reads had an impact on his thinking and the activities he was involved in.

This book details how Bhagat Singh was drawn towards communism - he and his colleagues wanted to organize the peasants, labourers and working class across the nation to raise their voice against the imperialists. This is evident when Bhagat Singh and BK Dutt involved themselves in the assembly bombing incident as a sign of protest against the passing of trade dispute bill which imposed restrictions on workers from organizing and conducting strikes for their demands. 

The sufferings of Bhagat Singh and his colleagues in jail and the unjust treatment they received in the judicial proceedings are touched upon here and the resistance they have shown to make their stand by withstanding the pain is astonishing. 

Some of the articles written by Bhagat Singh in newspapers, books and his jail notebook also find a place in this book. One of the articles on untouchables written by him indicates that Bhagat Singh opposed not just the social hierarchy but also the caste hierarchy. This specific article resonates Dr. Ambedkar's take on the unjust hierarchical structure prevalent in Indian society.

Even while facing the gallows, his courage while anticipating death, his undying thirst for freedom of the country, his determination to stand by his principles and rationalist approach are inspiring. There is no denial that Bhagat Singh can never be ignored in youth politics. 

To quote Bhagat Singh from one of his books “Why I am an atheist?” -

“A God-believing Hindu might be expecting to be reborn as a king, a Muslim or a Christian, might dream of the luxuries to be enjoyed in paradise and the reward he is to get for his sufferings and sacrifices. But what am I to expect? I know the moment the rope is fitted round my neck and rafters removed, from under my feet. That will be the final moment – that will be the last moment. I, or to be more precise, my soul, as interpreted in the metaphysical terminology, shall all be finished there. Nothing further. A short life of struggle with no such magnificent end, shall in itself be the reward if I have the courage to take it in that light. That is all. With no selfish motive, or desire to be awarded here or hereafter, quite disinterestedly have I devoted my life to the cause of independence, because I could not do otherwise. The day we find a great number of men and women with this psychology who cannot devote themselves to anything else than the service of mankind and emancipation of the suffering humanity; that day shall inaugurate the era of liberty.”



Death is inevitable. The acceptance of death as an undeniable reality and leading a meaningful life that is not only restricted to personal upliftment but also extended to the betterment of the society is what Bhagat Singh’s short lived life teaches us. 

Remembering "Bhagat Singh" on his death anniversary (Mar 23rd).

Tuesday, 7 March 2023

Indian Ads & Pseudo-Feminism

Of late, there are Indian advertisements that target women with their pseudo empowerment tactics - they superficially appear to propagate feminist principles but end up being exactly the opposite. 

Women in India have been confined to the households for many hundred years now, citing age old traditions and fallacious inveterate beliefs that the society imposes. Only in the past hundred years, there have been reformists who voiced out for the freedom of women. With women still fighting to free themselves from the clutches of the household, Indian advertisements have started targeting them with themes of women empowerment only to sell household articles. 




An ad that promotes a dish washing bar starts off with a kid filling one of his school forms. He writes down his father’s occupation as a bank manager. When he reads out the next field as mother’s occupation, he quips “Nothing?”. With visible disappointment in her face, his mother continues to wash dishes. The husband approaches her with sympathy and tells her that he knows about her ambition to start a bakery. The woman responds that she can create an identity for herself only when she is relieved from all the household chores. 

She wipes a stainless steel plate with the dish washing bar and it shines like a mirror only to show her reflection. On seeing her reflection in the plate, she says to herself “Identity” as if realising something. She realises that she has finished washing all dishes. Her husband adds “so soon?”. The woman has got ample time to think about her startup now - a bakery at her doorstep. The final scene portrays her in a new makeover working at her bakery and her son brimming with pride. 

Does this ad stay grounded to a genuine belief in gender equality? 

The answer is No. 

Why does the woman need to finish off her household chores and only then start off with her ambition? Why does she have to hold on to the household chores as her primary responsibility?

Why does her choice of profession be related to cooking? Why can’t the ad show her as a politician or a wrestler or a pilot? Why can’t the ad portray her to do something that is nowhere related to a household chore?

The ad endorses a dish washing bar and tactically attracts women with this pseudo-feminist agenda. There are women who fall for it. Some women accept this as their way of life as society influences them with age old beliefs. The ad cannot have a man holding a dish washing bar, that defeats the purpose of their campaign with the current regressive state of Indian societies. 




There are men who post on Women’s day and Mother’s Day about the sacrifices of women in their home to bring up a child, to manage the household work, to cook for them on time and help them find misplaced items at home. Let us not glorify the self sacrificing women, instead let us celebrate the women who broke free out of their households chasing their dreams. 




Happy women’s day to all such women !!!

Tuesday, 6 December 2022

Dr. Ambedkar Death Anniversary 2022

One news or the other surfaces everyday about the discrimination of Dalits and other scheduled castes by the caste Hindus and the hierarchically dominant castes. The restless and tense situation that engulfs the society in such happenings stems out of the unnecessary pride that the dominant castes hold and the unjust and unfair privileges they get from the caste system. 



Social freedom has remained a necessity in Indian societies for long and attaining that can be achieved only with the relentless upholding of Dr. Ambedkar’s principles and writings.

One can pelt stones at his statues and confine them behind bars. But, there is no confinement for his principles and writings. There might be attempts to rob his revolutionary theory of its substance and convert him into a harmless icon, every attempt at it should be curtailed by propagating his principles and educating the masses about what he stood against.

Remembering Dr. Ambedkar on his death anniversary….

Saturday, 19 November 2022

Padmashri Vivek Birth Anniversary 2022

அடப்பாவிகளா... உள்ளுக்குள்ள ஆயிரத்தெட்டு ஸ்பேர் பார்ட்ஸ் இருக்கு... அதுலலாம் ஓடாத வண்டியாடா இந்த ஒத்த எழுமிச்ச பழத்துல ஓடப்போகுது...?

அப்போ சாதா காக்கா உங்க கிராண்ட் ஃபாதரா, அண்டங்காக்கா உங்க கிரேட் கிராண்ட் ஃபாதரா? யாருக்கிட்டடா விடுறிங்க ரீலு...

The man who questioned the fallacy of superstitious beliefs on-screen with his comedies. 

Remembering Vivek sir on his birth anniversary…



Wednesday, 23 March 2022

Remembering Bhagat Singh on his death anniversary - 23 March 2022

An individual who stood by his principles even when facing the gallows. An avid reader who spent most of his short lived life in the midst of books. A revolutionary who stood against imperialism and made the voice of socialism reverberate across the country. An atheist who believed in rationalism and questioned the fallacy of age old beliefs. An extremist who valued human life and never believed in bloodshed unlike the pistol brandishing angry young man image portrayed by many. A freedom fighter who could have been the socialist icon India needed if not for the unjust trial and death sentence. 


A personality who should be studied and celebrated more!

Remembering "Bhagat Singh" on his death anniversary.

Monday, 6 December 2021

Ambedkar Death Anniversary 2021 / அம்பேத்கர் நினைவு நாள் 2021

சமூக விடுதலைக்காக போராடிய தலைவரின் சிலையை இன்றளவும் கூண்டுக்குள் வைத்து அடைக்கும் அவலம் இந்தியாவில் அநேக இடங்களில் இருக்கிறது. 

அண்ணல் அம்பேத்கரை ஒட்டுமொத்த இந்திய மக்களுக்கான தலைவனாய் கொண்டு சேர்ப்போம். இனிமேல் அவரது சிலைகள் உடைபடக்கூடாது, சிலைகளின் கூண்டுகள் மட்டுமே உடைபட வேண்டும்.

Even today, we have his statues put behind bars at many places in India. This is the respect the society gives for the man who stood for social justice and the freedom of the oppressed. This arises from the grudge due to the unjust caste hierarchy deep-rooted in our society. 

Let us celebrate Ambedkar as the leader of the masses. Hereafter, let only the bars around his statues be broken, not his statues.


Monday, 22 November 2021

ஜெய் பீம் - அதிகார அடக்குமுறைக்கு எதிரான அற வழி போராட்டம்

ஜெய் பீம் திரைப்படத்தில் 
வரும் அடையாளங்கள் இவை மட்டும் தான்.

பதவி தரும் அதிகாரத்தின் அடையாளமாய் SI குருமூர்த்தியும், மற்ற காவலர்களும், அரசு தரப்பு வக்கீல்களும்.  அந்த அதிகாரம் எந்த எல்லை வரைச் சென்று அடித்தட்டு மக்களிடம் தன் அடக்குமுறையை செலுத்தும் என்பதைக் காட்டுகிறது இப்படம்.

சாதியப் படிநிலை தரும் உயர் சாதி எனும் பிம்பத்தின் அடையாளமாய் ஊர் தலைவர். அந்த மனநிலை தரும் வன்மத்தின் வெளிப்பாட்டை ஒரு சில காட்சிகளில் பிரதிபலிக்கிறது இப்படம்.


சமூகத்தில் அங்கீகாரமற்று, உரிமையற்று, அடிப்படைத் தேவைகள் கூட இல்லாத விளிம்புநிலை மக்களின் அடையாளமாய் இராசாக்கண்ணு, செங்கேனி மற்றும் உறவினர்கள். அதிகாரமும், அரசியலும், சாதிய ஏற்றத்தாழ்வும் செலுத்தும் அடக்குமுறையை எதிர்த்து அவர்கள் சட்டத்தின் வழி நீதி தேடும் போராட்டமே இப்படத்தின் மையக்கரு.

இவைத் தவிர வேறு எந்த ஒரு அடையாளமும் இல்லை. 

இந்தத் திரைப்படம் சொல்ல வந்த கருத்தை நீர்த்துப் போகச் செய்யவே இந்த சர்ச்சைகள். இத்திரைப்படம் குறித்து நடக்கும் விவாதங்களும், உரையாடல்களும் அதையே செய்கின்றன.


Sunday, 22 August 2021

வைகைப்புயல் வடிவேலுவின் underrated gems of comedy

வைகைப்புயல் வடிவேலுவின் எண்ணற்ற நகைச்சுவைக் காட்சிகளில் இருந்து சிறந்ததை தேர்ந்தெடுப்பது கடினமே. எதார்த்தமான உடல்மொழியாலும், வட்டார மொழி வழக்காலும், முக பாவனைகளாலும், ஏற்ற இறக்கத்துடன் கூடிய வசன உச்சரிப்பாலும் ஒரு சாதாரணக் காட்சியைக் கூட epic scene ஆக பல முறை மாற்றியிருக்கிறார்.


பல முறை பார்த்தாலும் அலுக்காத காட்சிகள் நிறைய இருக்கின்றன. அதைத் தாண்டி ஒரு நகைச்சுவைக் காட்சியோ அல்லது நகைச்சுவைக் காட்சியின் ஒரு பகுதியோ அல்லது நகைச்சுவைக் காட்சியின் கருத்தோ பெரும்பாலான மக்களால் கவனிக்கப்படாமல் போய் இருக்கலாம். சில சமயம் படத்தின் தோல்வியும் காரணமாய் இருந்திருக்கும். அவற்றில் சில இந்த write up-ல்...


1. பிறகு (சமரசம்)

வடிவேலு நடித்ததிலேயே மிகச்சிறந்த கதாபாத்திரமாய் நான் பார்ப்பது இந்த வெட்டியான் கதாபாத்திரம். கதாப்பாத்திரத்தின் பெயரோ சமரசம். இறந்தப்பின் மனிதர்கள் வர்க்க பேதமின்றி சமமாய் கிடக்கும் இடம் இடுகாடு. இந்த "equality"-ஐ குறிக்கவே சமரசம் என்று பெயரிடப்பட்டது இந்தக் கதாபாத்திரம். Masterstroke!



அநியாய வட்டி வாங்கியத் தண்டல்காரன் பிணத்தைப் பார்த்து "இப்ப எதுடா உன் கூட வந்துச்சு?" எனக் கேட்பதும், "எங்கப்பன ஏன்டா பொணம்-னு சொன்ன?" என்று மல்லுக்கட்டும் ஆளிடம் "இங்க வர எல்லாரும் எனக்கு பொணம் தான்டா" என்று சொல்வதும், கண்ணதாசன் பாடல்களைப் பாடியும் இறப்பின் எதார்த்தத்தை எளிய மக்களின் மொழியில் திரையில் படரவிட்டிருப்பார்.

இடுகாட்டில் நடக்கும் ஒரு சச்சரவின் இறுதியில் தன்னைத் துரத்தும் கும்பலைப் பார்த்து "இனிமே அவன் அவன் பொணத்த அவன் அவனே பொதச்சுக்கோங்கடா, நான் ரெண்டு மாசம் லீவு" என நக்கலாக சொல்வது மரண அடி. 

இறுதிக் காட்சியில் பிணக்குழித் தோண்டும் ஊழியரின் வலியும், அந்த வேலையில் உள்ள சிரமங்களையும் சொல்லியிருப்பார். அநாதை பிணத்தைப் பார்த்து "என் அப்பத்தாவ நான் பொதச்சுக்குரேன் டா" என உரிமையோடு சொல்வதில் ஒரு வெட்டியானின் மனநிலையையும், பல மரணங்களை - மரண ஓலங்களை தினமும் எதிர்கொள்ளும் மனத்திடத்தையும் அழுத்தமாகப் பதிவு செய்திருப்பார்.

2. ஆறு (சுமோ (எ) சுண்டி மோதிரம்)

"ஆறு" படம் என்றதும் "உனக்கு வந்தா ரத்தம், எனக்கு வந்தா தக்காளி சட்னியா?" காமெடி பலருக்கும் நினைவுக்கு வரும். அதை விட மற்றொருகாட்சி சிறப்பாய் அமைந்திருக்கும்.



டீக்கடை முன் நடக்கும் சச்சரவில் வடிவேலுவை குனிய வைத்து முதுகில் குத்திக்கொண்டு இருப்பார்கள். அதைக் கண்டுவிட்ட நண்பர்களிடம் வடிவேலு சமாளிக்க வேண்டும். வாங்கிய அடியை வைத்தியம் எனக் கூறி சமாளிப்பார். வட்டாரப் பேச்சு கேள்விப்பட்டிருப்போம். வட்டார "அடி"யை நமக்கு அறிமுகம் செய்வார் வடிவேலு. ஒவ்வொரு ஊர்க்காரர்கள் அடிக்கும் அடி எப்படி வைத்தியமாகிறது என விவரிப்பார். அதில் மதுரை அடி தான் ultimate. "இப்ப உனக்கு வவுத்த வலினு வெச்சுக்கோ, நேர மதுரல போய் இறங்கி எவன்டியாது வம்பிழு... படுக்கப் போட்டு வவுத்திலயே மிதிக்கிறாய்ங்க அம்புட்டும் பிதிங்கி வெளிய போய் face fresh ஆயிருது" - இந்த dialogue delivery, body language வடிவேலுவுக்கே உண்டான trademark. அடிச்சுக்க ஆளில்ல.


3. எம்டன் மகன் (கருப்பட்டி)

தனி காமெடி track இல்லாமல் கதையோடு இணைந்த நகைச்சுவைக் காட்சிகளில் இப்படம் சிறந்தது. முதல் பாதியில் வடிவேலுவின் காட்சிகள் ஆர்ப்பாட்டமான வசனங்கள் இல்லாது எதார்த்த நடுத்தர வாழ்வை பிரதிபலிக்கும். பலரும் கவனித்திராத வசனம் படத்தின் இரண்டாம் பாதியில் வரும்.


வடிவேலு - நாசர் இடையே ஆரம்பத்தில் இருந்து சின்னச்சின்ன உரசல்கள் காமெடியாக நடந்து வரும். நாசரை மீறி வடிவேலு அவரது மகனின் காதல் திருமணத்தை நடத்தி வைப்பார். வடிவேலுவை கடையில் இருந்து வெளியே துரத்துவார் நாசர். அப்போது தனது கணக்கை முடிக்கச் சொல்லி ஒரு தொகையைக் கேட்பார் வடிவேலு. நாசர் பணத்தை விட்டெரிந்து "நீ நாசமா தான்டா போவ" என சாபம் விடுவார். அதற்கு வடிவேலு "சாமியே கும்புடுறது இல்ல... சாபம்" என்பார் நக்கலாக. இந்த வசனம் voice over ஆக வடிவேலு திரையில் இல்லாத போது வரும். திரையில் இல்லாவிட்டால் என்ன, அந்த tone போதுமே.



நாசர் ஒரு கடவுள் மறுப்பாளராக , ஒரு rationalist ஆக ஆரம்பத்திலிருந்து சித்தரிக்கப்பட்டிருப்பார். அப்படிப்பட்ட கதாப்பாத்திரம் எப்படி சாபம் விடும்?
நிதர்சனத்தில் கடவுள் மறுப்பாளர்கள் பலர் கோபத்திலும், அயராத துயரத்திலும் தம்மை அறியாமல் இவ்வாறு மூடநம்பிக்கைகளுக்குள் போவதுண்டு. இது அவர் வாழும் சமூகம் அவர்கள் மீது கொண்ட influence. பெரும்பான்மை சமூகம் கடவுள் நம்பிக்கையிலும், மூடநம்பிக்கையிலும், சாஸ்திர சம்பிரதாயத்திலும் மூழ்கிக் கிடக்கும்போது, சிறுபான்மையான rationalists சிலர் மூடநம்பிக்கை என்று அறியாமலோ, கோபத்தின் பேரிலோ அவற்றை உபயோகிக்க நேரிடும். பின்னர் திருத்திக் கொள்வர். நாசர் கதாப்பாத்திரத்தின் அப்படிப்பட்ட சறுக்கல் இது.


4. தவம் (கீரிப்புள்ள)

படத்தின் தோல்வியால் கவனிக்கப்படாத காமெடி காட்சிகள் பல வருடங்கள் கழித்து trend ஆனது. "ஆஹான்" என்ற ஒற்றை வார்த்தை சமூக வலைத்தளங்களில் memes-களாகக் குவிந்தது.

தன் apprentice கூட்டாளிகளுடன் சேர்ந்து திருடி போலீஸிடம் மாட்டிக் கொள்வது, beach குதிரையில் ஏறி தப்பிக்கப் பார்த்து மாட்டிக் கொள்வது போன்ற காட்சிகள் வடிவேலுவின் வெகுளி தனத்தை காட்டும். அதில் வரும் வசனங்களைக் கேட்டு சிரித்து சிரித்து கண்களில் நீர் வரும்.



இப்படத்தில் ஒரு காட்சியில் வடிவேலு beach-ல் இரண்டு பெண்களிடம் திருடி கதாநாயகன் அருண் விஜயிடம் பிடிபடுவார். அருண் விஜய் beach-ல் ரோந்து வரும் போலீஸை அழைக்க அவர் செவி கொடுக்க மாட்டார். உடனே வடிவேலு "நீங்க கூப்புடறது அவருக்குக் கேக்கல. கொஞ்ச இருங்க" என்றபடி "ஹலோ.. ஃபோர் நாட் டூ (402) பொண்ணுசாமி...." என்று போலீசை அழைப்பார். "பீச்ல அடிக்குறதுல பாதி அவருக்கு தான்" என்பார். போலீசை அழைக்கும் வசனமும் அதன் தொனியும் எதிர்பாராது வரும் காமெடி treat. பதவி அதிகாரத்தை கிண்டல் அடிக்கும் அந்த தொனி மாஸ்.


5. அன்பு (சுப்பையா)

மற்றுமொரு தோல்வி திரைப்படம். இதில் வரும் வடிவேலுவின் அரசியல் காமெடிகள் எல்லாம் popular. ஓட்டுப் போடும் பூத்தின் வெளியே நின்று வாக்காளர்களிடம் "யாருக்கு ஓட்டு போட்ட?" என விசாரிக்கும் காமெடி, கட்சி அலுவலகத்தில் நடக்கும் தொலைப்பேசி காமெடி நிறைய முறை தொலைக்காட்சியில் ஒளிபரப்பப்படும். இப்படத்தில் என்னைப் பொருத்தவரை இரண்டு underrated காமெடி காட்சிகள் உண்டு.




ஒன்று - STD பூத் வாசலில் நடக்கும் காட்சி. கதாநாயகன் அன்பு தன் முன்னாள் காதலியிடம் பேச வேண்டும் என வடிவேலுவைக் கூட்டி வந்திருப்பான். பூத்தினுள் செல்லும் முன்பே இன்னொரு நபர் உள்ளே செல்ல முற்படுவார். அவரைத் தடுத்து "சார்.. ஒரு நிமிஷம் சார்..." என்பார் வடிவேலு. உள்ளே சென்று call செய்ய இவ்வாறு மூன்று முறை அதே நபரை அதே போல் தடுத்து விட்டு செல்வார். மூன்றாவது முறை வடிவேலுவின் கண்ணத்தில் பலத்த அறை ஒன்று விழும் அந்த நபரிடமிருந்து. வடிவேலுவின் ஷாக் ரியாக்க்ஷனும், அந்த நபர் யார் என்ற எதிர்பாராத twist-ம் அந்த காமெடி காட்சியின் உச்சக்கட்டம்.



இரண்டு - டீக்கடையில் சிங்கமுத்துவுடன் நடக்கும் நகைச்சுவைக் காட்சி. சிங்கமுத்து டீக்கடை பெஞ்சில் அமர்ந்து பேப்பர் படிப்பார். ஒரு ஓ.சி. டீக்காக வடிவேலு அவருடன் போகிறப் போக்கில் பேசுவார். பேப்பரில் சதாம் உசேன் பற்றிய செய்தியை படித்துவிட்டு அருகிலுள்ள நபரிடம் "நம்ம ஊர்ல கட்டப்பஞ்சாயத்துக்காரன் மாரி உலகத்துக்கே கட்டப்பஞ்சாயத்துக்காரன் அமெரிக்காக்காரன். அவன் இப்போ ஈராக்குல அணு ஆயுதம் வெச்சுருக்கியானு கேக்குரான். கேட்டானா கூட்டீட்டுப் போய் காமிக்க வேண்டிதானே" என சிங்கமுத்து சொல்வார். உடனே வடிவேலு "ஆஹ்ன்... நீ காமிப்ப. சம்பந்தமே இல்லாதவன் வந்து உன் வீட்ல சாமான் செட்டு எவ்வளோ இருக்கு நக நட்டு எவ்வளோ இருக்குனு கேட்டா காமிச்சுருவியா நீயு? நீ ஊருக்கு வேணா பெரியாளா இருக்கலாம், அதுக்காக ரோட்ல போரவனல்லாம் கூப்புட்டு உன் கைல என்னருக்கு? உன் வீட்ல என்னருக்கு? உன் சாமான் செட்டு என்ன?-னு கேட்டா என்ன நியாயம்? சல்லித்தனமா பேசிக்கிட்டு..." என்பார். உலக அரசியலை ஒரே டயலாக்கில் அடித்து நொருக்கிய சம்பவம்.




YouTube-ல் இக்காட்சிகளைத் தேடிப் பார்க்க recommend செய்கிறேன்.




Saturday, 16 April 2016

Symphony - I just learnt this word, He taught me what it is... In 7 Minutes!



Why is he even aging? Can't he be immortal? Well... He is gonna be. A musical concert. With a stage-wide orchestra, he stands in the middle facing a question. The 8 minute long retort that was calmly delivered by the man made me rephrase my line "With a stage-wide orchestra, He stands in the middle facing the question". "What is a symphony?" asked the compere. An answer came. We might need a never ending list of superlatives before we even start "adjectiving" it. 
The scene that unfolds makes you punch your fists in the air (not once) and at the same time makes you wonder if He should be celebrated more. 



You feel a silence that engulfs the initial frames of the video and you can see Him waving His hands as if He is painting in the air. Yes, He was.  With one strong wave of His hand, *Bang* He breathes life into the dormant orchestra. You see cellos and violins being played. The crowd erupts. He just silences the crowd with His finger on His lips. The passion evident. A soul stirring two and half minutes into the video, when the music reaches its peak, He stops it abrupt. "Idhayammmmm Poguthaeeee..." - No music, no back up vocals, absolute silence - yet there is melancholia and there is a pain conveyed (that is the situation for the song in the film). A 1979 song starts and the crowd goes frenetic. We have a standing ovation at the end. Then, we have how this music evolved from Schubert's musical notes to Idhayam Poguthae. We have a short session with the same song played for a different music. This version, during its run, makes a comfortable shift into the folk genre - the fist pump again. After a brief second version comes the answer to "What is symphony?" in His own style. 

The words from The Gnani to the novice. He reiterates AR Rahman's quote on Him - "When many musicians were running behind awards, He was living for music". 

ISAIGNANI ILAIYARAJA!


Please do watch the video embedded below





Thanks - Isaignani Ilaiyaraja, Prakash Raj, Jaya Television, YouTube Channels

Sunday, 3 January 2016

Vaigaipuyal Vadivelu - An Invisible Member Of Family Ration Cards

What has changed in my conversations from 8 years back to now? What has changed in Tamizh Cinema from 8 years back to now? These questions had one surprisingly common answer - Vaigaipuyal Vadivelu. An 8-year hit movie drought for Vadivelu. The usage of Vadivelu dialogues in our day to day conversations with friends and family. Despite the 8-year hit movie drought, Vadivelu has managed to cling on to our minds. How many of you use Vadivelu's one-liners everyday? Almost everyone, almost everyday. If there is a survey for the usage of Tamizh film dialogues in day-to-day life, Vadivelu's one-liners are sure to top the charts. Sometimes, most of us will be trying to find opportunities to use his dialogue to make the atmosphere delightful. "Ithugalum nammala follow panuthae!" How does Vadivelu sustain the craze even today?

Vadivelu started his career with Rajkiran's "En Rasavin Manasile" as a sidekick to legendary comedian Koundamani. With the few screen appearances which he was given, he managed to grab the audience's eye. Singaravelan is one sample. "Wowww... Sattae melae evlooo buttaen" is still one trending dialogue in social media. His roles transformed and he bagged big roles and big movies. A director who doesn't believe in separate comedy tracks in his movies, Bharathi Raja maintained a separate comedy track for Vadivelu in "Kizhakku Cheemaiyilae". That is the extent of his reach among the theatre going audience.

In the 2000s, Vadivelu's career graph reached its peak and he delivered back to back hit comedy tracks. He was celebrated by the masses in the theatres. There were heroes who waited for his call sheet before signing up a movie. There were movies which became blockbusters just because of one name - Vaigaipuyal Vadivelu. His combination with mainstream heroes still has no replacement. His on-screen chemistry with the entire cast of a film has a high success ratio, be it a superstar or a heroine or a supporting actor. We have seen him as a building contractor, a conductor, a rowdy, a don, a beggar, a police constable, a fisherman, a call centre employee, an auto-driver, a politician, a king, a grave digger and the list goes on and on. He has probably performed more diverse roles than Ulaganayagan Kamalhaasan in his 24 year film career. His comedies are a huge hit. His one word "Aahaan" was all over FB at the start of 2015. Only those who follow Tamizh Cinema know that the "Aahaan" comedy released in 2007. A film that runs 100 - 200 days is called a blockbuster. What should a scene which trends on all social networks and all TV channels even after 8 years from its release be called?

Everything he does - his introduction scene, his facial expressions, his body language while delivering punchlines, his dialogue delivery, his tone modulation, his famous one-liners, even his interjections makes the theatre crowd burst out with laughter. The last line has his skill set just for comedy. He has also shined as a supporting actor and he has outperformed the rest of the cast in many emotional sequences. Vadivelu has also lent his voice for a handful of songs. His voice is almost perfect for the "gaana" genre which is again justified by his rural origin. 

How does he manage to pull off such rib-tickling, crowd pleasing comedy scenes? He replies to this question in one of his interviews. The dialogues, interjections, reactions, body language come out of his observation skills. He observes interesting characters and people he comes across everyday and reflect their mannerisms on-screen. No wonder, there is a real taste of nativity and authenticity in his acting. His accent and slang have the authenticity which easily relates him to the common man we see everyday.He can give 4 different reactions in a split of 4 consecutive frames. The split second change in reaction itself is a treat to watch.

"London la lotaayi lobby aairuva", "Oor la ulla ellaa sub jail-layum, en subject ah thaandaa paadama vechu nadathurainga en sipppss eh!", "Ellathayum visaarichitu thaanda vanthu aerirukom en jeans eh!", "Aama.. Naama laam periya lord langodu" - the words chips, jeans, lobby, lord langodu doesn't mean anything in his context, but you still sit and enjoy these, you may also use one of these with your friends. His dialogues have become a household, with kids, youngsters and adults using them often. In the past year, there have been atleast 5-10 movie titles with Vadivelu's dialogues.
 
Originating from a small village in the outskirts of Madurai, he has become the most popular actor from Tamizh Cinema and he has reached each and every house in Tamizh Nadu with his omnipresence in television. With the onset of memes era in Facebook and Twitter, Vadivelu holds the major share of memes posted. His dialogues, screenshots of his body language, images of his facial expressions, sequence of his comedy scenes prove the reach he has with the Tamizh audience. When you read a Vadivelu meme posted online, you will always read it in his slang. Yes, that comes out involuntarily. 

His stint with politics was short-lived and he took a 2 year break. Tamizh Cinema had sidelined him with the onset of new comedians during this period. His comeback wagons "Tenali Raman" and "Eli" backfired. There are people who still get reminded of Vadivelu when they see a weak comical scene in the theatres. I am one among them. "End card poatu egathaalaamaa da panringa... enaku end ae kedaiyaathu da!"

After a bad day at office, you reach home very late. Everyone at home has slept. Barely in need of a company to vent out the mounted pressure and stress, you find in front of you, the TV remote. You switch on the TV and the last viewed channel pops up. "Vandhutaanyaa... Vandhutaanyaa..." - this dialogue welcomes you home and for the first time in last fourteen and half hours, your face gets a smile. You watch the whole comedy and not an instant did the smile go away. Vadivelu is the best stress buster!

After the launch of 24x7 comedy channels in Tamizh, Vadivelu has become a household member. Atleast every 10 minutes, his comedy runs in one or the other comedy channel. Over the weekends, when you're enjoying his comedy in TV, try to reduce the volume in your TV to inaudible levels. You will still hear his voice crystal clear - either in your mind or from the TV in your neighbouring house. You can switch on your TV set or scroll through your news feed only to agree with this undeniable truth. Vaigaipuyal Vadivelu is undoubtedly the Superstar of comedy! His throne is going to remain empty until his comeback!

An apt line written for Vadivelu in one of his songs -
"பிறர் சிரிக்க பார்த்து சிரிப்பேன்
அவர் மொகத்த பார்த்து ரசிப்பேன்
அதில் இருக்கும் சொகத்த நெனச்சு நெனச்சு கண்ணீர் வடிப்பேன்
அதில் கவலை மறப்பேன்
என் கலையும் இதுதான்
என் தொழிலும் இதுதான்"


"Nallaa thaane sollirukaan... Nallaa kanichu thaanae yaa solirukaan!" 

- Arun Bharathi, a member of Vadivelu's Varuthapadatha vaalibar sangam.


Edited version of this article published in Behindwoods - Behindwoods Article


Thanks - Vaigaipuyal Vadivelu, Troll Cinema, Swameme

“Rich Blood” by Robert Bailey

A personal injury lawyer, Jason Rich, who is just out of rehab for alcoholism. His estranged sister, Jana Waters, charged with the murder of...